We get off the train and meet Philip and Sharon halfway up the stairs on our way out of the station, and as we exchange a series of hugs I think that it’s ages since we saw them last, even though it feels like only yesterday. We drive to their new house taking what Philip calls “the scenic route”. Leaving the dual carriageway behind, we pass through a tunnel of trees and everything is green and fresh, the sun making fascinating patterns through the leaves. “This is where it gets beautiful” Philip says, and as usual he’s right; roundabouts and roadside Harvesters give way to fields full of lavender, tiny farms glimpsed from above as the car makes its way round the gently bending route towards the valley.
We all catch up in the car and fighting his way through the banter and interjections Philip takes us through the itinerary for our stay. It largely involves food, drink and mooching around, which sounds pretty perfect to me from where I’m sitting. “Of course, we can change any bit of it if you don’t like it” says Sharon from the driver’s seat, and I’m momentarily sad because I know how much thought she’ll have put into everything and I wish she had a little more faith. But that’s rich, coming from me. “Oh! And we can show you the solar system!” says Philip as, at the end of the journey, the car pulls into their road. It’s such a surreal, cosmic sentence, rich with baffling ambiguity, that I half hope the moment will pass and nobody will ask him to elaborate on it.
After lunch and a leisurely stroll, we reach the middle of Otford and the full meaning of Philip’s words becomes clear - it boasts a scale model of the solar system, with all the planets represented by plinths scattered throughout the village. Later on, for instance, we discover Neptune on Philip and Sharon’s road. Somebody has placed a bottle of Sprite on top of it, showing little respect for astronomy; at least we assume it’s Sprite, because although the bottle is full it doesn’t look much like the original contents. Most of the planets, though, are close to the village hall, somewhere on the flat green space where a game of cricket is playing out. As contests go it seems half-hearted but cricket always has done to me, so I have no way of telling how seriously they are taking it. It doesn’t matter anyway; this is what weekends in England are supposed to be like.
As we stand idly by the boundary taking things in, the ball clicks off a bat and pelts towards us, larger and heavier than I remember from school. Philip deftly stops it with his foot and picks it up as a fielder walks over to fetch it, in no hurry at all.
“Be careful, or they’ll ask you to join the team.” says Sharon, as he lobs the ball underarm to the man in white.
“Not with a throw like that.” I say. This too is rich coming from me.
“So where are these legendary planets then?” I ask Philip. I know the whole thing is likely to be underwhelming, but my curiosity has been piqued now. This has always got me in trouble, if you show me a ludicrous tourist attraction I’ve always found it difficult to resist. After all, a scale model of the solar system isn’t something you see every day, even if there is a reason for that.
“Can you see that white pillar over there just past the boundary on the far side?”
“What, the thing that looks like a bin?”
Philip chuckles.
“The thing that looks like a bin. Yes, that’s exactly it.”
The moment they chose to capture the positions of the planets was midnight on the first of January, 2000 and the first planet we see turns out to be Jupiter. I was expecting it to be further away so I am surprised to find it here, like a random stranger you weren’t expecting in a photograph full of people you know. But of course it’s not really a planet, it’s just a squat white pillar with a flat steel top, JUPITER engraved on it in handsome, neutral letters. It is brilliantly nothingy, and somehow affecting in its modesty. I can’t tell you how disappointed I would be if it had turned out to be flashy.
Walking towards the middle of the solar system we notice a cluster of white pillars, close together, and looking down we realise that the paths of the orbits have somehow been mown into the grass. We cross the dark circles and make our way to Earth. It looks no more habitable than any of its siblings, though there’s no real reason why it should. I take a close look at the top of the pillar, wondering why the moment doesn’t feel more thought-provoking or significant. I also fight, successfully I’m pleased to say, the urge to break into a rendition of Planet Earth by Duran Duran.
The information board is a treasure trove of facts few people need or want. I take some photographs of Philip, Sharon and Kelly staring at it and looking perplexed, and then I take a closer look myself once they have moved on. The model, like so many white elephants, was built to celebrate the Millennium and the blurb on the board was written by someone who is very proud of the project, which is how it should be. This model is the only one of its kind on this planet. We don’t yet know about other planets! it says, before adding solemnly It is intended that this model will be here for the next millennium. I find that faith sweet and reassuring – in nine hundred and ninety years the world will have run out of food and countries will have been drowned by the melted ice caps, but the Otford Solar System will still be there to remind us of the bigger picture. Who’s to say that that is such a terrible idea?
Will anything survive of me in ninety years’ time, let alone nine hundred and ninety?
My favourite quote is at the bottom of the information board: It is said that if you wipe a pillar top with a soft tissue, it brings good luck. I didn’t know there was space in the world for new traditions and superstitions. I suppose they were all new once, that there was a first person who carried a four leaf clover or refused to walk under ladders and risked looking stupid, but I’ve never actually witnessed an attempt to fabricate one before. That an old wives’ tale like this sits mere paragraphs after facts like the diameter of Saturn and the size of Jupiter’s red spot is oddly touching in a way I can’t explain.
I love the Otford Solar System. It’s a folly, pure and simple, and I have a massive soft spot for follies. I try to imagine the meeting of the Parish Council where this grand scheme was agreed, and decide that I’d love to have been a fly on the wall. It strikes me that any village in the country could have done this but that only this village did. It also strikes me that any village that can attempt something so deranged can’t be entirely bad. I think that in Philip and Sharon it may have found two perfect residents, and that perhaps in Kelly and me it has found two suitable visitors.
Last of all, we are drawn to the sun. Unlike the others which are flat, this pillar is topped with a gleaming chrome hemisphere. The four of us approach it and look at the fisheye reflections on its shimmering surface. I get out my camera again and try to take a picture which captures us all, standing around it like some kind of prog album cover. There are many changes of position, soundtracked by chatter and laughter, as I attempt to fit everybody in, before I decide I am satisfied and give the others permission to disperse. I look at the photos I’ve taken. In them, we look tiny and yet I know we’re not, even though the point of this is to help us to realise how small we really are. It is the only thing about the whole project that doesn’t quite work: standing there, united by our emerging friendship, the cricket going on next to us and all manner of life beyond, it still somehow feels like we are at the heart of everything.
100 Words: Fog
16 hours ago

21 comments:
You calling me deranged? Yeah. Fair enough.
Another incredibly detailed and inclusive post. It's like being there.
Pearl
I love how you always describe little details which could be nothing for most of the people but it's not nothing for you. Because of these details I feel like I was there, spending a lovely weekend with lovely people.
There's one of these in Morgins in Switzerland, but the planets are globes and to scale - as it the whole walk. The sun is a dirty great yellow arch at the begining of the walk and hours later you get to a cafe just past Uranus, where you are mobbed by space cows. Oddly, the space cows were wearing big old cow bells and paper flowers in their horns, but mooing in French.
At first I thought there must have been a planetarium in their village, but in retrospect that seems silly. Who would put something like that in a small village? I suspect I need more coffee.
As always, I love the way you approach a topic. I'd like to think that in 90 years your writing will have survived, in one way or another.
I doubt whether you would get a full scale model of the solar system on the Earth, let alone Otford. Uncharacteristically imprecise of you MLS.
I think he said just scale, not full scale if I read it right.
Like Starlight said, I always enjoy how you take things that might seem hum drum and routine to others and find something special in them.
A lovely reflection on a perfectly lovely weekend - thank you for both. Your use of the word 'nothingy' is great - I fully intend to weave it into several conversations at work tomorrow...
Tonight as I drove through the village on my way home I smiled broadly as I passed the bus stop and Uranus. It felt the closest to coming home that I've experienced since leaving Shoreham - I think that's because I've finally got a landmark that has a special association for me here - and for that I owe you and Kelly an enormous thank you.
Really enjoyed this piece. It felt almost as if we were accompanying you on your mooch.
If I had a spaceship, I'd like to call it The Mooch.
I'm completely intrigued by the concept of this replica of the solar system. I want to ask about all the moons, the asteroid belt, Oort Cloud and Pluto, but I figure you might've mentioned them if they were represented.
YOu are quite right, he does say scale. My misreading. Take it back.
I think this piece of writing shows great control, not least in the affection you show for the others, which manifests in various ways. One of which is allowing them to affirm, link and embellish the details of the story. I particularly like the segue here: '...the sun making fascinating patterns through the leaves. "This is where it gets really beautiful" Philip says...'
There is a charming fragility too, such as the teasing mention of Philip's weak throw. That kind of detail belongs in this piece only because of the care taken in the composition of the text. It's a detail that I might cringe at reading elsewhere: seemingly weak and digressive, awkward to accommodate, but here it just helps build the picture, slowly, pasting thin paper strip over thin paper strip.
And perhaps the most fragile thing of all is the scale model of the solar system itself, an attraction ripe for mockery. That Philip and Sharon choose to share it with you tells us much about the confidence they already have in their friendship with you; your enjoyment of it and centring of it in this piece serves to affirm that friendship.
It's a very assured piece of writing about friendship, free of obvious high notes, free of easy metaphor. It's very touching.
I really wondered where you had disappeared to, MLS, but I did begin to suspect there was something afoot when I saw no new posts from you, Philip or Sharon for a while.
This post was touching. I love the whole solar system in tiny village thing, and I can really picture you with camera at the ready, shuffling your wife and friends about for the perfect shot.
Thanks for taking us with you on another journey off into those fabulous little side roads of life.
Beautifully written - even made me slightly homesick for England. Luckily I've spotted you're an excellent wordsmith and England remains unchanged - for me.
hi.
l'm back but in a different space..
luv Alice (fff)
Bizarrely an English friend just told me about the solar system in Otford this last weekend.
His description was alas not nearly as intriguing as yours.
This post did make me miss England, and feel vaguely envious of your friendship, but thank you none-the-less.
I loved the introspection here. And, as an aside, why am I generally off-put by anonymous comments? Anyway, well done.
I love to visit those types of attractions. Last week when visitng my grandchildren we spent a morning taking pictures at giant statues of wild animals...fun, but not as educational as the solar system.
I did look forward to all of these posts from some of my favorite writers, but I almost feel that I have intruded. Its been said before, but I really do enjoy the inclusion of the little details that make places I have never been, so real.
The last paragraph, as always, was my favorite. Tying things up beautifully and adding a bit of a look at the nature of us all.
Wonderful as always.
-Kristi
It's great to have found such a solid friendship through blogging. And I do feel like we, your readers, share a bit in that.
And (non sequitur here) better Duran Duran than Holst's version of the Planets, which is incredibly dissonant, but strangely fascinating.
Random comment, I know.
Thanks everybody who commented on this one.
Philip - I suppose I sort of am, but in a good way.
Anonymous - How does a cow moo in French?
Anonymous (2) - No, you're right. I meant that it was a full scale model rather than a full-scale model (if that makes sense) but I've corrected it.
Robbie - Pluto was still a planet when this model was built so yes, it's in there. No asteroids though.
Matt - That's such a lovely comment, whenever I get a comment like that I think that I must be doing something right.
Molly - It's a small world, isn't it? What did your friend tell you about Otford.
Alyson T - I tend to agree. I always wonder whether anonymous comments are well intentioned. Most are, but it would hardly hurt to give a name.
Lady Jennie - I quite like the Planets Suite. They're not all dissonant.
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